Rendi Sutejho

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Tag: The Met

The Artist Project: David Salle
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The Artist Project: David Salle

My name is David Salle. I’m a painter. It’s always a great mystery how a painter conveys feeling. How does that work? How does that feeling arise? I think that Hartley in a way is an enigma because it’s hard

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Artist Interview—Wangechi Mutu: The NewOnes, will free Us | Met Exhibitions
Artist Interview—Vija Celmins | Met Exhibitions
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Artist Interview—Vija Celmins | Met Exhibitions

Vija Celmins: I don’t think there was ever a point where I said, “I’m gonna be, you know, an artist.” No. It seeped in. I was looking for something. I went took two paintings a day of all the objects

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Jerusalem 1000–1400: Every People Under Heaven | Met Exhibitions
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Jerusalem 1000–1400: Every People Under Heaven | Met Exhibitions

(din of crowd) (single piano note plays) MELANIE HOLCOMB: In this period from 1000 to 1400, the whole world is looking at Jerusalem. “Every People Under Heaven” is more than just Jews, Muslims, and Christians. It’s every people you can

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Inside the Publication—“The Artist Project: What Artists See When They Look at Art.”
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Inside the Publication—“The Artist Project: What Artists See When They Look at Art.”

(percussion instrument tapping) MICKALENE THOMAS: As an artist, what you make is an extension of yourself. GEORGE CONDO: There’s no optical experience as radical as the one that takes place in Monet. MARIKO MORI: Their artwork can challenge your imagination

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Michelangelo: Divine Draftsman & Designer | Met Exhibitions
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Michelangelo: Divine Draftsman & Designer | Met Exhibitions

For me, it’s a dream come true to do this exhibition. The attempt is to widen the conversation about Michelangelo. It’s an extraordinary opportunity to see many works from 53 different museums and collections that are never seen together, to

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How Black Contemporary Art’s Founder Kimberly Drew Amplifies Black Artists | SEEN | NowThis
Camp: Notes on Fashion Gallery Views | Met Fashion
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Camp: Notes on Fashion Gallery Views | Met Fashion

Andrew Bolton: The exhibition is called Camp: Notes on Fashion, and it’s inspired by Susan Sontag’s 1964 essay “Notes on Camp” that, in a way, outlined the elements or characteristics of camp: irony, humor, parody, theatricalization, excess, extravagance, exaggeration. The

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