Rendi Sutejho

How Do Writers Work?

Tag: history

Artist Interview—Wangechi Mutu: The NewOnes, will free Us | Met Exhibitions
Kiluanji Kia Henda – ‘I Wanted to Create a Trap’ | Artist Interview | TateShots
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Kiluanji Kia Henda – ‘I Wanted to Create a Trap’ | Artist Interview | TateShots

My name is Kiluanji Kia Henda. And I’m an artist from Angola. I live and work in Luanda. The fact that I’m from Luanda has been always a big influence in my work. Talking about Angolan history it’s talking about

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Portraits: Andrew Young by Rossin Artist Interview – National Portrait Gallery
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Portraits: Andrew Young by Rossin Artist Interview – National Portrait Gallery

As part of our series of conversations with artists about their art, today we talked to Rossin about his 2009 portrait of civil rights leader Andrew Young. What’s your method in the studio? How do you… do you paint silently?

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South side business owner, artist etch out place in history
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South side business owner, artist etch out place in history

WELCOME TO FIESTA SALON AND SPA. INSIDE THIS BUSINESS YOU CAN GET A BLOWOUT, A HAIRCUT AND. A HISTORY LESSON.>>I WANT THIS TO BE FOR THE COMMUNITY.>>SHOP OWNER RAUL VARELA AND INTERNATIONAL ARTIST JUAN FLORES — INTERNATIONAL ARTIST JUAN FLORES

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History of Cesar Chavez and the United Farm Workers Movement (UFW)
The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution
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The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution

This book is about how nonviolent songs work. How do songs move people. And what is the poetry behind nonviolent political action. The Baltic is a good example. The nonviolent independence movement was called the Singing Revolution.In 1988, an Estonian

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DONALD TRUMP IS A PUPPET AND JUST AN ACTOR – David Icke
Actor Christopher Lee Was A Real Life Badass
Passage – Capturing the Spirit of Tintagel Castle | Feat. Artist David Mankin
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Passage – Capturing the Spirit of Tintagel Castle | Feat. Artist David Mankin

It’s such an honour to be selected out of so many artists to make this painting of such an iconic ancient Cornish landmark. My main external source for my work is the Cornish landscape, very much the sensory experience of

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